This post was authored by Stan Guderski. You can contact him at StanGWrites@gmail.com
For a game developed by one person, Axiom Verge is an impressive showing. Everything from art, music, and game design all comes from the brain of Tom Happ, who had been working on Axiom Verge as side project since 2010. The game can be seen as a love letter to Metroid and other games of its ilk, as it puts you in the shoes of scientist Trace, and drops you in the center of a hostile alien world where it tasks you with figuring out things for yourself. Completely alone, the player must navigate this alien world, acquire lots of guns along the way, and ultimately survive. While this sounds great on paper, just how well does it actually work in practice?
The graphics in Axiom Verge are terrifically retro with a modern flair. Axiom Verge uses the 8-Bit era as its base and expands on it exponentially with a modern touch. Enemies that explode into a million pixels when killed, huge immobile androids take up entire rooms, and bosses the size of skyscrapers all serve to give Axiom Verge an extra layer of ‘oomph’ by subverting the visual expectations of the player. When it isn’t blowing your mind with its dynamic visuals, Axiom Verge has a consistently impressive art style that is beautifully grotesque and alien. From tight corridors filled with bubbling acid, to expansive open spaces with strange structures in the distance, Axiom Verge artistically mixes the sci-fi aesthetics of high technology amid ancient ruins in a way that is both striking and fascinating to look at.
Axiom Verge is a joy to listen to as well. Thumping atmospheric beats accompany you as you traverse the world and sound delightfully sci-fi, evoking the ominous feeling of Alien and the exploratory vibe of Star Trek at once. I often found myself looking forward to the next section of the map just to hear what new piece of music would be injected into my ears. However, spend too long in one area and the same track will loop endlessly. Expect to become extremely familiar with certain songs when exploring or backtracking.
Firmly rooting itself in the ‘Metroidvania’ genre conventions, Axiom Verge sets it sights on exploration, as you are alone on an unfriendly world with little to no indication on where to go. The point is to find your own way around, as out of reach areas and blocked off exits tease you at every turn. Unfortunately, despite being based around discovery Axiom Verge detracts from the experience by spelling out through its level design what your future power ups are. Eventually it became less about wondering what the next upgrade may be and more about impatiently waiting to acquire the super jump ability in order to finally return to locations missed the first time through.
Axiom Verge boasts a lovely assortment of weapons to kill hostile aliens with, and power ups that make scooting around the levels fun. There was a palpable feeling of joy when a new deadly weapon was within reach, or when a new ability allowed for a greater ease of movement, or interesting way to interact with the environment. Luckily Axiom Verge is very generous when it comes to providing you new toys to play with, as long as you’re thorough enough to find them all. Even so, taking a relatively straight path through the game will ensure you’re equipped to handle what comes your way.
You’ll need all the help you can get, as Axiom Verge is a hell of a challenge. Enemies will not hesitate to rip you in half and send you back to where you came from. Dying in Axiom Verge holds no real penalties except that the game will immediately respawn you back to the last save room you’ve visited. This lends a feeling of urgency when low on health and navigating unknown territory while looking for a save point. However, this also frustrates considerably when dying sends you half way across the map just to repeat the trek again from scratch–respawned enemies and all.
Backtracking is the backbone of Axiom Verge as it is often the only way to progress or acquire needed items. This becomes extremely frustrating when spending several minutes returning to a location to advance the game only to discover a dead end–giving you no choice but to return to where you originally were in order to try something else. This problem may have been mitigated by a more advanced map, or a convenient fast travel system; both of which are sorely absent here.
The map Axion Verge provides you with is terribly simple, and is made up of ninety percent indistinguishable pink squares, forcing you to constantly search your own memories or make notes so you don’t get lost or waste your time backtracking the wrong way. In terms of getting around quickly, a short cut allows you to traverse between most major locations relatively painlessly–but that too often requires the need to backtrack extensively to reach. Axiom Verge may boldly advance beyond the limitations of sight and sound, but it is committed to staying in the past in terms of navigation to a fault.
All in all, Axiom Verge has its moments. Exploration is fun to an extent, and the cavalcade of powerups and weaponry to acquire allows for an ever evolving way to interact with the environment and its hostiles. The graphics consistently impress, and the soundtrack is wonderful. However, backtracking gets old fast and the game frustrates at times with its difficulty and often archaic navigation. Still, if you’re looking for a way to scratch that Metroidvania itch and don’t mind some of the games more obtuse aspects then you can do much worse than Axiom Verge. Recommended.
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